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Curriculum Vitae
Ruprecht von Kaufmann
born 28.02.1974 in Munich
lives in Berlin |
| Exhibitions |
| 2007 |
Gallery Christian Ehrentraut, Berlin, ‚Medea’, Soloshow |
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Galerie Gmyrek, Düsseldorf, ‚Update 07’ |
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Konrad Adenauer Stiftung, Berlin, ‚EHF Stipendiaten Groupshow’ |
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Konrad Adenauer Stiftung, Berlin, ‚Soloshow’ |
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| 2006 |
Ann Nathan Gallery, Chicago, ‚Bathosphere’, Soloshow |
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Kunstverein Göttingen e.V., Göttingen, ‚Bathosphere’,
Soloshow |
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Christian Ehrentraut Projektraum, Berlin, ‚Als mich mein
Steckenpferd fraß’, Soloshow |
|
|
| 2005 |
Sommergalerie at Chrsitian Ehrentraut's Projectroom, Berlin, Germany,
Soloshow |
|
Weisse Villa, Joachimsthal, Germany, 'Everybody wants to be naked
and Famous' |
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Sommergalerie Kunstschacht Zollverein, Essen, Germany, 'New Drawings' |
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Fraktale iV, Palast der Republik, 'Tod' |
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Preview Messe, Berlin, Germany mit Christian Ehrentraut |
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| 2004 |
Ann Nathan Gallery, Chicago, ‚Soul Siberia’, Soloshow |
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Claire Oliver Fine Arts, Art Fair Los Angeles |
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Ann Nathan Gallery, Chicago, IL, SOFA Fair Chicago |
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Ann Nathan Gallery, Art Fair Chicago |
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Claire Oliver Fine Arts, New York, ‚The Gallery Artists’ |
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| 2003 |
Claire Oliver Fine Arts, New York, ‚Of Faith and other Demons’,
Soloshow |
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Arnot Museum, New York, ‚Representing Representation VI’ |
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Ann Nathan Gallery, Chicago, Art Fair Chicago |
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Claire Oliver Fine Arts, New York, Art Fair Miami |
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| 2002 |
Koplin Gallery, Los Angeles, ‚New Work’, Soloshow |
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Frye Art Museum, Seattle, ‚The Perception of Appearance’ |
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Laguna Art Museum, Los Angeles, ‚Representing LA’ |
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Koplin Gallery, Los Angeles, ‚Drawings’ |
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Davidson Galleries, Seattle, ‚Reality Check: Contemporary
Figurative Paintings’ |
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Claire Oliver Fine Art, New York |
|
Ann Nathan Gallery, Chicago |
|
|
| 2001 |
Ann Nathan Gallery, Chicago, ‚A Futurist Manifesto’,
Soloshow |
|
The Frye Art Museum, Seattle, Art Museum of South Texas
und Laguna Art Museum, Los Angeles, ‚Representing LA’ |
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Fine Art Gallery at San Francisco State, San Francisco, ‚Story-Tellers’ |
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Orange County Museum of Art, Los Angeles, ‚Representing LA’ |
|
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| 2000 |
The Arnot Museum, New York, ‚RePresenting Representation
IV’ |
|
California Center for the Arts, Escondido, ‚Next Generation:
New Paintining in So. Cal.’ |
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Ann Nathan Gallery, Chicago, ‚California’ |
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Koplin Gallery, Los Angeles, ‚Drawings V’ |
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The Frye Art Museum, Seattle, ‚Representation’ |
|
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| 1999 |
Lizardi & Harp Gallery, Los Angeles, ‚Nocturnes’
Soloshow |
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Arnot Art Museum, New York, ‚RePresenting Representation’ |
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Paris Gibson Square Museum, Great Falls |
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Mount San Antonio, Los Angeles |
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California State University, Fullerton, ‚Courting the Muse’ |
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The American Academy of Art, Chicago, ‚Figuratively Speaking’ |
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Tatistcheff & CO. Inc., New York |
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Art Institute of Southern California, Los Angeles, ‚Indomitable
Spirits’ |
|
with Steven Assael, Bo Bartlett, Vincent Desiderio, Sidney Goodman
and Odd Nerdrum |
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Ann Nathan Gallery, Chicago |
|
|
| 1998 |
Spruce Street Forum, San Diego, ‚A Requiem And Other Paintings’,
Soloshow |
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Alexy Gallery, Philadelphia, ‚Contemporary Realism III’ |
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Cerritos, Norwalk, ‚Human Conditions: The Figure’ |
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The Ridgefield Guild of Artists, Ridgefield, ‚Insights: Contemporary
Self-Portrait’ |
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Art Center Gallery, Los Angeles |
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Long Beach Arts, Los Angeles, ‚That Figures’ |
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El Camino, Torrance, ‚Tales-Teller’ |
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| 1997 |
Soma Gallery, La Jolla |
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Santa Monica College, Santa Monica, ‚Reconfigured I: Paintings’ |
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Santa Monica College, Santa Monica, ‚Reconfigured II: Drawings’ |
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Art Center Gallery, Los Angeles |
| 1996 |
Art Center Gallery, Los Angeles |
| 1995 |
Art Center Gallery, Los Angeles |
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| Publications |
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ManagerMagazin, 'Young German Artists', September 2005 |
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Chicago Sun-Times, Besprechung 'Soul Siberia', 12 November
2004 |
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Ruprecht von Kaufmann, Ausstellungskatalog 'Soul Siberia',
Oktober 2004 |
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Marshall Cavendish, Great world Writers: Twentieth Century,
12 Volume, Soulmates, Seite 254, 2003 |
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John D. O'Herrn, The Arnot Museum, Ausstellungskatalog,
'Representing Representation VI', April 2002 |
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Ruprecht von Kaufmann, Art in America, 'To the Editors,
Hockney's Optical Delusions', Juli 2002 |
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Los Angeles Times, Besprechung, 'Paintings That Force Us
to Examine Our Conscience', 20. Juni 2002 |
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Leah Ollman, Los Angeles Sunday Times, 'Painting a Mirror
for Humanity', 16. Juni 2002 |
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Sheila Farr, Seattle Times, Art Review, 'Frye exhibit an
old-fashioned yet enlightened
revue of figure drawing' 7. Juli 2002 |
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David Schmader, The Strangler, Seite 23, 'Promise', 20.
Juni 2002 |
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Margeret Hawkins, Chicago Sunday Times, 'A show with selling
points',
Abbildung: 'Olda Orestovna's Wisdom', 10. Mai 2002 |
|
John Brunetti Ausstellungskatalog, 'A Futurist Manifesto',
Ann Nathan Gallery, September 2001 |
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Garrett Holg, Art News, 'A futurist Manifesto', Ruprecht
von Kaufmann at
Ann Nathan Gallery Chicago', Januar Ausgabe 2002 |
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John Brunetti, Gallery Guide Midwest, 'Ruprecht von Kaufmann,
A Futurist Manifesto',
Titelseite und Abbildung auf Seite 6, September 2001 |
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Zyzzyva Magazine, 16th Anniversary, Abbildungen Seite 40
und 47, Spring 2001, XVII |
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Gordon Fuglie, Southwest Art, 'A new exhibit documents
the recent resurgence of
representational art in Southern California', Januar 2001 |
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Gordon Fuglie, The Frye Art Museum, Exhibition Catalogue
'Representing LA', September 2001 |
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Alec Clayton, The Olympian, 'Spectrum of contemporary art
comes together at Frye', Januar 2001 |
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Carol Pucci, Seattle Times, 'Seattle plays host to an exhibit
that can't find a home in California',
Dezember 2000 |
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Sheila Farr, Seattle Union Record, 'A Breath of Fresh Air
from L.A.', 11. December 2000 |
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Regina Hackett, Seattle Union Record, 'L.A. Realists reach
for the Edge at the Frye', 11. Dez. 2000 |
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Orange County Weekly, Besprechung, 'New Wave: New Painting
in Southern California', Juni 2000 |
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Los Angeles Times, Besprechung 'New Wave: New Painting
in Southern California', Juni 2000 |
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Noriko Gamblin, Escondido Center for the Arts, Ausstellungskatalog
'The Next Wave:
New Painting in Southern California', Juni 2000 |
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John D. O'Herrn, The Arnot Museum, Ausstellungskatalog,
'Representing Representation', 1999 |
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Grady Harp, The Art Institute of Southern California, Ausstellungskatalog,
'Indomitable Spirits', 1999 |
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Mike McGee, Cal State Fullerton Main Art Gallery, Ausstellungskatalog
'Courting the Muse', April 1999 |
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Leah Ollman, Art in America, 'Ruprecht von Kaufmann at
Spruce Street Forum', April 1999 |
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John Williams, Sex: Portraits of Passion, herausgegeben
durch Ivy Press, England, 1999 |
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Art Center College of Design Catalog for 1998-2000 |
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New American Paintings, herausgegeben durch Open Studio
Press 1998 |
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Shirley Gottlieb, Long Beach Telegram, 'Figures adds up
to a powerful show', 20. Juni 1998 |
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Greg Spalenka, CMYK Magazine, Issue 6, Winter 1998 |
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Megumi Tokomura, Whittier Daily News, 31. Januar 1998,
Besprechung |
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Edward Lucie-Smith, Zoo, herausgegeben durch Ivy Press,
England, 1998 ISBN 0823059812 |
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Peter Frank, LA Weekly Vol. No. 47, 17-23 Oct 1997, Pick
of the Week, Abbildung: 'Germany 1945' |
|
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| Awards |
|
2007 Woldemar Winkler Stipendium, Gütersloh |
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2007 Else Heiliger Foundation, Konrad Adenauer Stiftung, Berlin |
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2003 Kunstförderpreis Vogelstein Foundation, New York |
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Kunstförderpreis der Stadt Hooskiel, Wangerland, Deutschland |
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1999 Best of Show, Paris Gibson Square Museum, Great Falls,
für 'Two Alone' |
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1998 INsights Contemporary Self-portrait, Ridgefield Guilt
of Artists, Ridgefield,
Award of Excellence |
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That Figures, Long Beach Fine Arts, Long Beach, CA, Honorable
Mention |
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1995-1997 Stipendien des Art Center College of Design Awards |
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